Rethink Your Life! Finance, health, lifestyle, environment, philosophy |
The Work of Art and The Art of Work Kiko Denzer on Art |
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LaporteKat Morrow katmorrow at zianet.comWed Feb 19 18:35:04 CST 1997
>>And Robert LaPorte knows little or nothing about cob construction. His >>expertise (or obsession, depending on how you look at it) is in *light clay* >>construction which is a different technique altogether from cob >>construction. Clay and straw are mixed together and tamped into forms which >>form the non-loadbearing walls of a timber frame structure. The walls are >>supposed to breathe and be inexpensive (albeit very labor intensive) to >>build. In response to the discussions about both cob and light clay recently I feel the need to defend a couple of positions. First, Robert Laporte is very good at what he does, is indeed a master timber-framer and has built some incredible light straw/clay homes (one of which resides less 100 yards from where I write). I can't vouch for his cob expertise but he does know his materials, and is good at natural mud plasters and floors (let's see, that means clay, sand and straw...) Second, the actual labor involved in the process of building the walls of a straw/clay building is less than that of a cob wall but you need to have your frame in place. Building an entire structure out of cob is very labor intensive, though very rewarding, especially if you mix the cob the traditional way advocated by the Cob Cottage Company. Mixing the cob in large pits or with tractor helps, but one can still only raise a wall so far each day, depending on your weather conditions. >> The pamphlet "Mooseprints" is only good for 'this is why light clay >>construction is great' and is not a how-to book. I guess you are supposed >>to take his workshops to find out how to do it. Its not much more than a >>pamphlet and is published by LaPorte (so wouldn't be in Books In Print). Both the booklets published about cob and straw/clay have good basic information, both on the why and some how-to, about the building method and are good to have if one is interested in either method. If one is really serious about using either method for a building, then consider taking a workshop. Spending a few hundred dollars and a week (a week will provide you with infinitely greater awareness of the process than a few hours or even a weekend) with experienced builders (both Cob Cottage Company and Robert Laporte run great workshops, as well as many others) will give a basis for starting a building as well joining a network of like-minded builders that are always willing to help out and share knowledge. These methods of building are as much about the learning process and community as they are about providing a wonderful space. The natural building movement is about creating community and a cohesiveness among people who are looking for different ways to do things, to find ways to live more lightly on this planet. A big part of this is understanding and respecting that within this movement there are many varying views and ways of achieving the end result. Until recently, natural builders were fairly isolated and the word was spreading slowly, now the momentum is gaining and the word is getting out. We can try to be supportive of each other and unite instead of remaining as small, isolated islands of knowledge.
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