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The Work of Art and The Art of Work Kiko Denzer on Art |
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FW: Cob: cellulose and plasterMichael Fitzgerald puppetman at ix.netcom.comThu May 22 22:27:08 CDT 2003
Brad: I am real new to the cob- lime plaster thing. However let me share with you some of my experience working with paper in puppetmaking. I have tried to use newspaper for paper mache but it doesn't work very well. Part of the problem is that newspaper is formed and treated to not absorb water. This formulation allows the ink to dry in the same spot that it was put down. Otherwise it would bleed into the paper and then be unreadable. If you are looking for a paper that will absorb a great deal of water and has very long fibers you might try red rosin paper. It is available at Home Depot in big rolls 2ft wide for about $8.00. It is used under hardwood flooring. Red rosin paper is now the only paper I use for paper mache and yeilds a superior product. I have tried cellulose insulation when I constructed a life size dinosaur and was looking for some ready made fiber. It did not mix well and was a very poor filler because it would not absorb the glue or react with the whiting like other papers do. It's composition was mostly newspaper but there was a fair amount of plastic shopping bag material as well as some bits of BurgerKing french fry wrappers. There was also an abrasive grit that I only assumed was sand. (best not to look too close) I don't know if anybody has tried red rosin paper for papercrete or paper plaster but it sure works for puppets. On the subject of fibers. The Native Americans in Michigan used to weave with fiber from the cattail plant. Our museum here in Detroit has bags that are 150 years old where the fabric was spun from the long fibers of Cattail. Has anybody tried to use Cattail to increase the tensile strength of earth mixtures? Brad, I don't know if this helps, but I hope it does. Michael Fitzgerald Anthropologist/Woodcarver/Puppetmaker
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